Air and Water
For the greater part of the Covid 19 period, I have re-visited the subject of Terns. These exquisite mainly sea birds can be seen on the coast, particularly on the Farne Islands, fairly near to where I live in the Scottish Borders.
The Arctic Tern flies the furthest distance of any bird during its migration, covering about 25,000 miles, ranging from the Arctic to the Antarctic. The Arctic Tern, also called the Sea Swallow, is my favourite Tern visiting the British Isles, with its beauty and grace, and its bravery. Their flight is delicate, lyrical, and, flying en masse, the ever changing contrapuntal patterns they form, like music of many parts, totally bewitch the eye.
I was so inspired and enthralled by the Tern flights, that, when I started to paint them the first time round, several years ago, (the oil painting is one of the results of that time, I experienced an intense urge to join them painting their sky patterns.
So I did!
I flew, once again, in a glider as a result of this inspiration and rediscovered the greatest sensation and joy in the sky. Gliders, also, being ultra aerodynamic, are also very beautiful, with their long slender wings, so very like the wings of Terns. It was an exhilaration, both of sensual excitement and aesthetic wonder. I became a bird, as the glider pilot and bird painter, Peter Scott described his own experience of flying gliders.
Recently Gliding and Terns have come together again, after a period of painting Big Cats, and I have begun again with another series of paintings (watercolours) of Terns.
Arctic Terns
Terns, in streaming Flight, above and all around, surging, screaming, diving and taking flight again . . . In this large painting, I wanted to express the experience of being crowded by these dynamic avian rockets, whirring over my head and around me, screeching and diving and soaring in a great explosion of energy. The noise, the blur of their beating wings, the speed of them, the weaving intertwining patterns . . . I am overwhelmed and consumed by them, and it is this totality that I had to express in this painting of thirty two birds.